=====[ PLAYING CARDS & MOVIES (& ME!) ]=====
Here are some stories I hope you might find interesting, about some (very minor) involvement I had with playing cards being used in three films.
This was back when my playing card-related web site ("The Bob Lancaster Gallery of Unusual Playing Cards") was still a going concern (1996-2008), and I was contacted there for help with the production of three films:
==========[ ARMAGEDDON (1998) ]==========
I received an email from a gentleman who said that he was currently obtaining props to be used in Bruce Willis' upcoming blockbuster film,
Armageddon. He explained a bit about the film's plot and said that in one scene, the American astronauts meet a Soviet cosmonaut on board the Soviet space station.
The script called for the cosmonaut to be a little "stir crazy" from being alone on the ship for so long, and they wanted for him to have a deck of playing cards that he would use to play solitaire and do magic tricks. The director wanted the deck the cosmonaut used to be recognizable to an American audience as playing cards, but to be...different, somehow. Were there such a thing as Russian playing cards? And, if there were, did I have a deck of them that I could lend to the production company to use in the film?
I assured him that there were indeed Russian playing cards, and I had a Russian deck that I would be more than happy to loan to the film, in return for me and my web site receiving a "thanks" in the closing credits. He said that would be no problem, and we set up a meeting where I could hand over the deck.
My first impulse was for them to use my Black Palekhs. I thought they would look pretty striking on film. But they were one of my favorite decks, and I wasn't sure how difficult they would be to replace if something happened to them. Also, they were not coated, so I was unsure how well they would work when the actor playing the cosmonaut used them to do magic tricks.
After giving it some thought, I decided that I would purchase a modern, Fournier double-deck set which was reprints of an older Russian deck:
CLICK TO VIEW LISTING
I figured they would be perfect. They looked Russian, were coated, and I could easily replace them if anything were to happen to them. I knew of a store which sold them for $15, so I went there, bought one, and emailed the prop guy that I was ready for our meeting. I included scans of a few cards from the deck, and he replied that he had shown the scans to the film's director, who thought that they looked perfect.
I got the deck to the prop guy, who loved them, and told me that the "thanks" mentioning me and my web site was set to be in the film's credits.
When the film was released, there was no scene with the cosmonaut using a deck of cards, and there was no thanks to me in the credits.
I never found out what happened. Maybe the scene was cut from the script, or ended up on the cutting room floor (I would think that a scene depicting card-handling in zero gravity might have created some special-effects challenges they hadn't anticipated).
==========[ DELIVERING MILO (2001) ]==========
I received an email from ANOTHER prop guy, saying that he was putting together props for a film titled
Delivering Milo.
He explained: Some of the film took place in a heavenly "pre-life" place where young children waited their turn to be born.
One child (Milo) decides that he doesn't want to be born, and refuses. Since all children must be born in the right order, all births on Earth ceased while the people in charge of the "pre-life" try to convince Milo to be born.
One of the film's conceits was that each of the children who were waiting their turn to be born had a special toy which somehow related to their future life on Earth (a child whose toy was a car might become a racecar driver or an auto mechanic in his or her life - that sort of thing).
The "special toy" of Milo - the film's central character - was a deck of playing cards, which was prominantly featured in a couple of scenes.
In one scene, the angel who is assigned the task of convincing milo to be born (played in the film by actor Albert Finney) did some fancy card moves using Milo's deck of cards, and this would be shown in close-up detail.
The director wanted the deck of cards to look special in some way, but was not sure just what was out there, so the prop guy contacted me for advice. Did I know of a deck that might fit the bill? If so, did I know where the deck could be obtained?
After giving it some thought, I decided that the Dondorf "Centennial" deck would be perfect.
The deck was published in 1933 to commemorate Dondorf's 100th year (1833-1933), and Dondorf had pulled out all the stops to make the deck as special as possible.
Dondorf was well-known for printing beautiful decks using chromolithography - a highly labor-intensive process which required the use of a different heavy lithograph stone for each color of ink used in a deck's design.
The more colors used, the more detailed and beautiful the design could be, but the more expensive the setup and printing process would be.
The "Centennial" deck's design required FAR more colors than Dondorf had ever used in a deck before (I seem to recall that it was thirteen or fourteen colors, but I'm not certain about that.
Dondorf went out of business after the deck was released, and there are (unconfirmed) rumors that the incredible expense of printing the "Centennial" deck may have played a part in that.
Regardless, the resulting deck is one which many collectors, myself included, consider to be the most beautful deck of cards ever printed - Perfect for a "heavenly" deck of cards, I thought.
Here is a reproduction of the Dondorf Centennial by Altenberg-Stralsunder:
CLICK TO VIEW LISTING
I had no copy of the original (1933) deck, as they were rare and quite expensive. But I DID have a reproduction edition.
Unfortunately, the repro I had of it was not very well coated, and the deck used in the film would need to be HIGHLY usable in fancy card moves, for the close-up scene where Finney's "angel" character performed fancy shuffles and such with it.
Luckily, someone (either Fournier or Piatnik, I forget which) had a recently-printed double-deck repro of the Centennial deck, and I obtained one.
A meeting with the prop guy was scheduled, for me to show him what I had come up with for the film.
I brought the new Centennial repro and a few other possibilities from my collection from which he could select.
When I showed him what I had brought, he picked the Centennial repro, hands-down.
He said that the magician who would be actually performing the fancy card moves for Finney's character wanted to make sure that the deck I was supplying was appropriately "handlable". Would I be able to meet with the magician so that he could try out the deck? The magician was scheuled to perform soon at L.A.'s Magic Castle, and I agreed to take the deck there for him to try it out (I was living in L.A. County at the time).
That evening at the Castle was interesting. The magician (whose name I don't recall) approved the deck. A fun side note: while he was "testing" the deck, Carl Ballantine walked up to us and asked what we were doing.
Ballantine was a well-known actor and comedy magician, but was probably best-known to people of my generation for his role as Lester Gruber on the old "McHale's Nany" television show. It was nice to meet the man. I also sat two seats away from Robert Picardo, the actor who was currently playing The Doctor on "Star Trek: Voyager".
The film was made and released, but I didn't see it until I rented it on DVD years later. It's an odd film, but the Centennial deck was indeed featured in close-up in one or two scenes.
==========[ THE ADVENTURES OF PLUTO NASH (2002) ]==========
I received an email from yet ANOTHER prop master / set designer, who wanted my thoughts on what playing cards might be like in the future. He was working on the upcoming Eddie Murphy film
The Adventures of Pluto Nash, which was set in a casino/nightclub on the moon. I wrote up some ideas and sent them back to him.
I never saw the film (I heard it was terrible), so I don't know whether or not any of my ideas were incorporated into it.
==========[ fin ]==========
I was also contacted a couple of times by people who were producing plays which had scenes where some old type of cardgame was played, and they wanted my advice on where they could buy a prop deck of cards which would be in keeping with the period in which the play took place. One of them later snail-mailed me a copy of the play's program, in which I was thanked, and the URL of my web site was given. Nice!
That's it! Nothing too exciting, but I thought some of you might find it fun and interesting.